"It was just great! If you want to speak about the music they played, you have to be as good as them as unusual as they were. And I think it is useless to try to match them in originality- it would be rather difficult. It would be rather difficult. it would be better to make the effort to try to understand and to evaluate the astonishing depth of what they are doing. I think that those who got impressed excited just by the charm of their arrangements, are profoundly wrong, they are wonderful profound, real musicians, performing real profound music. Their style is a very dangerous one. Lots of groups are hiding under a fake originality sheer non professionalism. It is not their case very one of them is a brilliant professional, a virtuoso. Beside this, they offered us warm, astonishing and vivid world in which we felt extremely good" Anatol Kroll maestro of Russian jazz Moscow (Russia)

"Trigon is the best alternative for playing and conveying the inimitable expression and originality of folk-jazz. Obviously each artist possesses talent and unique skill. The variety of their music is unique, the group succeeding in achieving a monumental synthesis of Balkan melodies and free cosmopolitan jazz. Their Music represents a synthesis of feeling, folklore and modern jazz. They won their own place on the world jazz stage, touring the world for 11 years, from Canary Islands to Japan and from Yakutia to New Zealand" Virgil Mihaiu Jazz & rock 2003 (Romania)

"Passion, virtuosity and highest professionalism - and the public surrendered completely to the musicians; we witnessed the same kind of ecstasy at the Varnensko Lato festival in Bulgaria where Trigon was presenting its program." "Полный джаз" 2005 Moscow

"Trigon has succeeded in finding the narrow path between folklore and jazz and in creating their own unique music, showing tremendous imagination and virtuosity. Every musician is a soloist, playing its own game and music, which is a demanding accomplishment. The audience, trying to follow the musicians, immediately falls in trance. And for the rest of the concert is lost in day-dreaming. Dreaming amazingly beautiful dreams. It's impossible to remain indifferent at the concert. The images are real, visible, palpable. It's a theatre-music, plastic, artistic, with an enormous sense of humour. Painting and Music - daring, strong, dramatic. When any movement of the bow, any sound is freedom, pleasure, joy. It's music lived on the stage. Music about universal truths. About the world and about us in this world. About something in us, hidden deep inside, unconscious and enormously important. An illusion? I would rather say virtuosity, deepest understanding, and metamorphosis.” Megapolis journal 2005 Moscow (Russia)